In a Corporate Concert World, an Indie Thrives in Washington

In a Corporate Concert World, an Indie Thrives in Washington

On a recent tour of the Anthem, his $60 million concert hall under construction, Seth Hurwitz excitedly pointed out the room’s features as they took shape. A movable stage. Angled balconies. An outside terrace with a striking waterfront vista.

“This was designed for people to go and have the best time they can possibly have,” Mr. Hurwitz said, “and for the performers to enjoy playing here more than anywhere else.”

For Mr. Hurwitz, long this city’s leading concert promoter, it was a characteristic remark: confident and aggressive, and a defiant survival strategy for one of the last major independent operators in a heavily consolidated business.
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